Essay about Oedipus - Don Taylor Adaption - 1286 Words

Place yourself back in to the times of Greek tragedy and culture, the glorious palace doors overlooking the Kingdom and the elegant, admirable robes. Here you will find the setting of â€Å"Oedipus the King† written by Sophocles, adapted in 1986 by Don Taylor. Taylor adapts this version extremely well, highlighting the main themes and significant symbolising Sophocles would have used in the play outstandingly. Also he still keeps the reflection of the Greek culture of the play too. Like all Greek tragedies Oedipus is set around only one setting, here it’s outside the Kingdom where the citizens of Thebes and the chorus of the Theban councillors all gather in hope of Oedipus’s wisdom. The stage is set out in a fixed stage, with the kingdom†¦show more content†¦When he talks you can feel a sense of trust as Michael Pennington presents Oedipus as such a loud fluent speaker, but the use of Sophocles puns add a tone of dramatic irony to the play for instance his last line ‘I see it all’ just before he plunges his own eyes out.. Throughout the play the use of dramatic irony is used to a wide extent, adding to this is the use of realism, focusing on the words. We are introduced the chorus in the first Parodos, they all look fairly identical dressed in black and white symbolising knowledge and wisdom. Don Taylor has used the chorus very well in this version of Oedipus; they always seemed to be making distinctive sharp shapes and movements in order. The chorus are directly speaking to the Gods, visually portraying this by focusing on the heavens above when they spoke. Don Taylor modernises them to seem like jury, at the end of each episode reflecting upon the events happening. Their language and the way they are presented are fast pasted and have a very flowing rhythm. The music from the beginning always seems to be on in the background, sensory supplementing the themes of the play, mystery. In episode 1 it seems to becoming brighter emphasising the unity of time in the play. We are also introduced to Teiresias who enters from stage left towards the Kingdom, the chorus stand around the main centre in a semi-circle whilst Teiresias enters and takes a standstill in the